The Top Quality Replica Tudor’s collection launch at Dark Mofo
Dark Mofo runs over two weeks and basically wraps whole swathes of the city in weirdness and wonder, which was staged by the Museum of Old and New Art. Jarrod Rawlins, one of the curators from MONA, explained over dinner that “we can get away with a lot down here; there’s not as much regulation.” He spoke of ordering 500kg of blood and intestines for an installation. Of taking over an abandoned insane asylum and leaving it untouched for 12,000 guests to walk through, with an in-residence artist occupying the space and staying awake for 72 hours. He admitted also that their plan to sacrifice a bull for a dinner feast over the weekend has his office running hot with complaints and legal threats. All in a day’s work for the MONA team.
Can you imagine? Does a Swiss fake watch event come without a meticulous itinerary? It is crazy. This was not a tightly choreographed whistlestop tour of weirdness – guests were encouraged to disappear and do things by themselves. It was not a breath of fresh air as much as a gale-force wind that made everyone heady.
Of course, the replica watches were there (and you’ll be pleased to know I took the chance to take a good look at the BB Chrono, which I still can’t land an opinion on) but the General Manager of the replica Tudor, Patrick Boutellier, barely gave them a sideways glance in his speech, which was more about Tudor’s growth as a brand in recent years, its burgeoning singular identity, the way it’s been embraced by Australian watch lovers (you guys, basically), and the similarities in attitude Tudor replica has to the curators of MONA, who think boundaries are for pushing. He did mention the chronograph movement and the millions of dollars of R&D that went into its creation.
And hopefully, it sets a trend. Hobart the city, like the fake Tudor the brand, has been transformed over the last five years – the jolt from an Australian backwater that was the butt of many unflattering jokes to an edgy arts epicenter happened in one simple stroke. And that was with the opening of MONA, and all that is associated with the experience.
The last word should go to MONA curator Jarrod Rawlins: “Since people don’t know what they want until you give it to them, please don’t give the people what they want,” was his mantra, which recurred throughout his speech. No matter how you look at it, Tudor replica is doing some quite daring things in 2017 – a mainstream ambassador poached from a competitor, the very same one they are collaborating with on a couple of movements, and an evolution of the collection into luxe and precious metals. And now, a luxury replica watch event that was more like a drunken dream. And not a yacht or a harbor cruise insight.